Movie: Before Te Devil Knows You’re Dead
Philip Seymour Hoffman can’t seem to put a foot wrong lately, and this latest effort only testifies to the fact. With another stand out performance in The Savages (see review in earlier post) also currently out at the cinemas, you’d be hard pressed to find a decent screening that doesn’t have Hoffman involved. Ok a slight exaggeration, but you get the point, and in case you don’t, I’ll elucidate more clearly: Hoffman is a superstar.
The screenplay for this film is by and large the blueprint for its success. Having great actors bring it to life and a super sharp directional approach merely add icing to the cake. In a fast paced flow of events, it jumps back and forth in time to let you know of characters’ motivations, but not for a minute is it confusing.
Ethan Hawke as Hank Hanson is perfectly cast as a stress ridden divorcee with massive financial troubles (and emotional complexes), who is lured by his brother, Andy Hanson (Hoffman), to rob a “mom and pa” jewellery store. The only catch is, the store Andy has in mind is their actual mom and pa’s jewellery store which they have grown up working at and hence know the ins and outs of its functioning. That may already be giving away a little surprise that was set for the viewer about 20 minutes in, so I won’t spoil any more of the plot, except to say (and this isn’t spoiling anything as it occurs in the opening scene) that it goes drastically wrong.
The rest of the film flashes back in time a day or two then comes up to where it left off, and repeats this process. It’s an interesting narrative device that often had me going “oh riiiiiiiight, that’s why he…...”, similar to the viewing habits induced in a Tarantino piece.
Marisa Tomei is back to some form playing the Andy's sexed-up (and appallingly unfaithful) wife, though at times it was difficult to distinguish her dumb pouts with her acting. Albert Finney is also convincing as father Hanson, the vengeful old man with maybe a hint of senility, and again, at times it seemed difficult sometimes to distinguish the senility from the acting. But at the end of the day, it’s Hoffman who brings this film to the fore with this powerhouse performance of a fat drugged-up opportunist; a character he began his career playing in films such as Boogie Nights, only this time, he’s a classier fat drugged-up opportunist, though twice as devilish.
Ethan Hawke as Hank Hanson is perfectly cast as a stress ridden divorcee with massive financial troubles (and emotional complexes), who is lured by his brother, Andy Hanson (Hoffman), to rob a “mom and pa” jewellery store. The only catch is, the store Andy has in mind is their actual mom and pa’s jewellery store which they have grown up working at and hence know the ins and outs of its functioning. That may already be giving away a little surprise that was set for the viewer about 20 minutes in, so I won’t spoil any more of the plot, except to say (and this isn’t spoiling anything as it occurs in the opening scene) that it goes drastically wrong.
Marisa Tomei is back to some form playing the Andy's sexed-up (and appallingly unfaithful) wife, though at times it was difficult to distinguish her dumb pouts with her acting. Albert Finney is also convincing as father Hanson, the vengeful old man with maybe a hint of senility, and again, at times it seemed difficult sometimes to distinguish the senility from the acting. But at the end of the day, it’s Hoffman who brings this film to the fore with this powerhouse performance of a fat drugged-up opportunist; a character he began his career playing in films such as Boogie Nights, only this time, he’s a classier fat drugged-up opportunist, though twice as devilish.











